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III

by Auscultation

supported by
SHerbert
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SHerbert Really creates a very unique vibe that no other project really pins down quite like this does. The harmonics on larger live speaker rigs really come out and the tracks shine deep into the sub aural range. Favorite track: Turn Down These Voices.
wrfx
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wrfx I love this combination of very physical deep house rhythms and equally distant aerial soundscapes that glimpse into something dark, like irreversible truths looming over oneself. Very 2020. Favorite track: Turn Down These Voices.
facepetal
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facepetal I'm in a black world of obsession. My record sounds fkng amazing. 100% Silk, you are Veritas, Goddess of Truth Favorite track: Glowing Hearts In The Rainbow Room.
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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $8 USD  or more

     

  • Auscultation 'III' Test Pressing (1 available)
    Record/Vinyl + Digital Album

    This is one of about 5 test pressings that were made for Auscultation III. I have one available for sale.

    Includes unlimited streaming of III via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

    Sold Out

  • Auscultation 'III' Cassette
    Cassette + Digital Album

    I found a few extra artist copies of III floating around. 3 available.

    Includes unlimited streaming of III via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

    Sold Out

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Flottant 06:02
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Fool 09:11
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Exit 05:32

about

A term for listening to sounds within the body as a method of diagnosis is a poignantly perfect moniker for Portland producer Joel Shanahan’s most elusive and emotive electronic aura-reading solo alias: Auscultation. III arrives a full four years after its SILK predecessor, L’étreinte Imaginaire, delayed by tragedies too expansive to enumerate.

Throughout, these shadowy psychic rhythms percolated at the periphery, as both escape and exorcism. The songs share a smeared mood of longing and lament, foggy melodies gliding through low-lit spaces, dissipated dance floor ether spiraling like smoke under a streetlight. It’s a music of faces in the night and things unsaid, swaying at the threshold. What could have been and what will always be.

credits

released May 8, 2020

Mastered by Eric Hanson.
Design by Britt Brown.

license

all rights reserved

tags

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